This work is inspired by the artists native North Africa and the landscape of the desert that is central to the history of the rergion. "The Desert of the North" speaks to both tradition and transformation. Copper, a metal treasured across civilizations for its conductivity and malleability, here becomes a structural element, sixteen metres of thread holding aloft cascades of wool in a delicate equilibrium. This marriage of materials creates a dialogue between permanence and impermanence, between the enduring and the ephemeral. Wool, with its organic warmth and tactile presence, carries within it centuries of stories, while copper threads act as conduits not merely of physical support but of cultural transmission. The installation does not resist change but embraces it, allowing the environment to inscribe itself upon the materials. In this way, "The Desert of the North" mirrors the desert's own relationship with time: both are shaped by elemental forces, both bear the marks of their journey, and both remain fundamentally themselves even as they transform.