These sculptures challenge the boundaries between nature and society, balancing materials and adapting the environment around them, bringing into light the abundance and beauty of the artist's native continent of Africa. Each sculpture is inspired by the seed of a pomegranate, a metaphor of abundance and diversity. What appears uniform at first glance becomes, upon closer observation, a gathering of infinite variation. Each seed holds its own geometry, its own particular form, yet together they constitute the whole. El Gotaibi seizes upon this botanical truth as a lens through which to examine how the world perceives Africa, too often reduced to a monolithic narrative, its vast diversity flattened into simplistic categories. The sculptures function as counter narratives, each form asserting its singularity while contributing to a larger constellation of meaning that within Africa, there is light and abundance. Like the pomegranate seeds themselves, these works speak to the generative power of the continent: a place that has long nourished the world with its resources, knowledge, and cultural wealth, yet whose contributions are frequently diminished or overlooked. The artist's geometric forms thus become vessels of correction, reframing Africa not as a place of lack but as a source of inexhaustible richness. Through this botanical metaphor made manifest in material and form, El Gotaibi insists upon complexity over simplification, upon recognition of the particular within the collective, upon the revolutionary act of seeing clearly what has always been present.