

La predation ne crois pas a la mort, Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan  -Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort! (Predation does not believe in death!)
Predation doesn’t believe in death! is a multidisciplinary installation linking image to text. A self-portrait depicts artist Amine El Gotaibi on the famous Boulevard Mohammed V in Rabat, turning his back on parliament. With no outside context given, he stands alone in this space of power, which fills the entire frame. Presented in the form of an installation in the exhibition space, the artist’s face is blocked by a gas regulator that directly connects his mouth to a hose. As a powerful affirmation, the title of the work is “tagged” in the form of a slogan on the wall in letters burned on with a blowtorch.
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La predation ne crois pas a la mort! (Predation does not believe in death!)
Predation doesn’t believe in death! is a multidisciplinary installation linking image to text. A self-portrait depicts artist Amine El Gotaibi on the famous Boulevard Mohammed V in Rabat, turning his back on parliament. With no outside context given, he stands alone in this space of power, which fills the entire frame. Presented in the form of an installation in the exhibition space, the artist’s face is blocked by a gas regulator that directly connects his mouth to a hose. As a powerful affirmation, the title of the work is “tagged” in the form of a slogan on the wall in letters burned on with a blowtorch.
read more
La predation ne crois pas a la mort! (Predation does not believe in death!)
Predation doesn’t believe in death! is a multidisciplinary installation linking image to text. A self-portrait depicts artist Amine El Gotaibi on the famous Boulevard Mohammed V in Rabat, turning his back on parliament. With no outside context given, he stands alone in this space of power, which fills the entire frame. Presented in the form of an installation in the exhibition space, the artist’s face is blocked by a gas regulator that directly connects his mouth to a hose. As a powerful affirmation, the title of the work is “tagged” in the form of a slogan on the wall in letters burned on with a blowtorch.
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Research Process / 2012
EXPLOITING RESOURCES
Predation doesn’t believe in death! is above all an act of artistic resistance, calling out to an elite that does not seem to believe in the purpose of its existence, exploiting the country’s resources while muzzling its people.
read more
EXPLOITING RESOURCES
Predation doesn’t believe in death! is above all an act of artistic resistance, calling out to an elite that does not seem to believe in the purpose of its existence, exploiting the country’s resources while muzzling its people.
read more
EXPLOITING RESOURCES
Predation doesn’t believe in death! is above all an act of artistic resistance, calling out to an elite that does not seem to believe in the purpose of its existence, exploiting the country’s resources while muzzling its people.
read more


La predation ne crois pas a la mort, Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan  -Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
SEEING WHAT HAPPENS
This work is thus a visual translation of the artist’s feelings about a society that uses propaganda to "urge us either to read, observe, or understand, but not at all once, so that we don’t see what is happening around us."
read more
SEEING WHAT HAPPENS
This work is thus a visual translation of the artist’s feelings about a society that uses propaganda to "urge us either to read, observe, or understand, but not at all once, so that we don’t see what is happening around us."
read more
SEEING WHAT HAPPENS
This work is thus a visual translation of the artist’s feelings about a society that uses propaganda to "urge us either to read, observe, or understand, but not at all once, so that we don’t see what is happening around us."
read more


La predation ne crois pas a la mort, Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan  -Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012
La predation ne crois pas a la mort
Installation Photography in light box, 95 x 145 cm, hose, blowtorch, and slogan
Exposition « Cent ans de création au Maroc »,
Musée Mohammed VI d’art moderne et contemporain, Rabat 2014 / 2012

